Established in 2012, The Barrel Boys are a 5-piece string band based in Toronto, Ontario. The band’s sound is built around rich vocal harmonies and virtuosic instrumentals, and their repertoire finely balances standard tunes with their own original writing. Their instrumentation lends itself to classic bluegrass, but they are also fluent in old time, classic country, and Americana, and their original material is informed by all of these styles. Each of the 5 members writes and sings their own tunes, making for a wide stylistic range within the band’s sound.
The O’Pears are a Toronto-based contemporary folk trio made up of Lydia Persaud, Jill Harris and Meg Contini, three songwriters who weave stories that stir the spirit and capture the timeless character of folk music. Like Those Nights, their debut album, captures soaring harmonies and a seamless blend, evoking the profound intimacy of Nick Drake, the sister-like blend of The Staves and the dynamic harmony of Crosby, Stills, and Nash. Live performances turn the loudest bar into the warmest house concert, with their endearing, unabashed personalities balancing the intimate sincerity of the songs. They recently performed to high acclaim at festivals such as Summerfolk, Great Heart Festival, Lunenburg Folk Harbour Festival, garnered radio play across Canada, including CBC, and have been featured live with Royal Wood, Good Lovelies, Michelle Willis, and Coco Love Alcorn. Each band member a distinctly talented musician with a stand-alone voice, style, and stage presence, when these three come together it is breathtaking. A striking mix of tight a cappella and rootsy instrumentation, Like Those Nights explores lessons learned about love and loss through the eyes and hearts of young Canadian storytellers. The O’Pears continue to bring a strong, honest voice to the modern female perspective.
Whether he’s playing with his own solo band or other various outfits, he can’t be kept off Canadian stages. Ryan puts most of his energy in his passion for studying acoustic traditional blues, jazz and old time music. This led him to spending a winter in New Orleans where he wrote the majority of the material featured on Steppin’ Down South. This album is saturated with the sounds and rhythm of New Orleans streets.
There once was an era when records were made in castles, abandoned airplane hangars, barns, or on a yacht off the coast of the Bahamas, its passengers as high as paper kites. This is not that record! It is an album that came together from the desire for companionship, the endless pursuit of tone, the strength and glue of family, and above all, the love and admiration for each other’s skills. Whether it was operating a tape machine with Jedi precision, creating meals that fuelled us, or belting out glass shattering ohs and ahs, it was the elbow grease of many individuals that brought this project to life. – The Harpoonist & The Axe Murdere