With Burn The Plan a long-awaited new album, Good Lovelies are both fulfilling and defying their so-called musical destiny as a “folk trio.” What makes this Burn The Plan special is that the band’s considerable strengths – winsome songwriting, impeccable vocals, and triangulated charisma – don’t tell the full story. There’s a new spirit of adventurousness that gives Burn The Plan an extra spark; the album is permeated with textures and tones from musical worlds away.
Oliver Swain has been a celebrated musician for years, held in high regard in acoustic and folk music styles for both his astonishing instrumental and vocal abilities, though he seldom gives the genre a fully traditional treatment. Oliver Swain strays towards the whimsical, the spiritual, and the socially conscious side of what he likes to refer to as “chamber folk odyssey”, and it’s these beguiling and provocative elements that make him unique as an artist and songwriter. Devon Leger even called him “The Zen Rock Garden of old time music” No Depression